SABATON @ Coliseu do Porto, 2017/01/20

Originally posted in Valkyrian Music.

sabatoncoliseu

Even though I was happy to see the old schoolers getting off their couches to support ACCEPT, I was sad to see many of them leave and not give a chance to SABATON. Well, their loss – as usual, the Swedes kicked ass. Even if I appreciated the 2014 gig more, their performance skills are unquestionable.

They’ve been using their cover of STATUS QUO “In The Army Now” as intro since the beginning of the tour, so it’s not in memory of the QUO guitarist Rick Parfitt, who died last Christmas Eve. But it was a beautiful coincidence, and nice change – as much as I love EUROPE’s “The Final Countdown”.

Besides the powerful songs – “Ghost Division”, “Carolus Rex”, “Primo Victoria”, “To Hell And Back”, just to name a few – and their lively presence, their good humor and empathy towards the public are just as popular. When the show was halfway through, a roadie brought a keyboard and Joakim reminded us (well, informed, as some may not know the origins of the band) that he started out as SABATON’s keyboard player. But when he started playing VAN HALEN’s “Jump” it became clear he wasn’t going to resume the role that night. Chris Rörland claimed that Tommy Johansson really knew how to play piano and to prove so, the new guitarist played a little of Beethoven’s “Für Elise”. From there, he engaged on their own “The Final Solution”, in a beautiful acoustic version.

Later on, someone would throw a horned helmet with the Swedish colors that Joakim put on, saying that he probably looked like a “palhaço”. That’s Portuguese for clown, and the whole venue burst out laughing. And in the end, he tied a Portuguese flag on his back, like a cape, super-hero style, wondering if his super power would be being the best football player in the world. Great musicians, great performers and funny – what more could one ask from a metal show?

www.facebook.com/sabaton/

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About Pieni

A metalhead who loves photography and her friends.
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